Thomas Dean Donnelly says:
Let's face facts: there is relatively little actual Science Fiction happening in cinema today, at least in the classical understanding of the purpose and form of Science Fiction. If I were to offer a simple definition, it would be that Science Fiction (serious Science Fiction perhaps) explores the pressing issues of today by extrapolating them into a potential future where their effects can be magnified and examined.
Now let me couch my statement by saying that there is some great Science Fiction out there. Children of Men, Minority Report, 28 Days Later, Inception, Moon, District 9, I Am Legend...if its original ending were to have made it to the screen...but that's another discussion.
And let me further couch my statement by my own mea culpa. I am a professional screenwriter, credited with writing A Sound of Thunder, and soon to create a feature version of another well known sci-fi staple, it appears. All I can say about A Sound of Thunder is that I'm sorry, and it was a very different movie than what I wrote (Harry Knowles is a fan of my version). Nonetheless, I felt I owed any readers of this thread the above info to either inform them, or fuel their trolldom, whichever their heart leads them to.
Having read several of the scripts here on the Amazon Studios experiment, I found a few to be very well written, but so far only Children of Others seems to have the underlying bone structure to be something special. For a first draft, it appears to me to be onto something.
Fertility. Playing god with conception and even genetics. A massive change in the average age of parents in just one generation, with a host of unintended and unwanted consequences. All of these are relatively unexplored areas of interest and conflict for us.
I propose a discussion of how these thematic elements are present in the material here, and how they can be strengthened and amplified. Has the writer missed opportunities to explore this theme? Is there more happening in our culture that is relevant and might strengthen the work?
Looking forward to, hopefully, some helpful back and forth, as we explore this new model of story breaking.
Best,
Thomas Dean Donnelly
Now let me couch my statement by saying that there is some great Science Fiction out there. Children of Men, Minority Report, 28 Days Later, Inception, Moon, District 9, I Am Legend...if its original ending were to have made it to the screen...but that's another discussion.
And let me further couch my statement by my own mea culpa. I am a professional screenwriter, credited with writing A Sound of Thunder, and soon to create a feature version of another well known sci-fi staple, it appears. All I can say about A Sound of Thunder is that I'm sorry, and it was a very different movie than what I wrote (Harry Knowles is a fan of my version). Nonetheless, I felt I owed any readers of this thread the above info to either inform them, or fuel their trolldom, whichever their heart leads them to.
Having read several of the scripts here on the Amazon Studios experiment, I found a few to be very well written, but so far only Children of Others seems to have the underlying bone structure to be something special. For a first draft, it appears to me to be onto something.
Fertility. Playing god with conception and even genetics. A massive change in the average age of parents in just one generation, with a host of unintended and unwanted consequences. All of these are relatively unexplored areas of interest and conflict for us.
I propose a discussion of how these thematic elements are present in the material here, and how they can be strengthened and amplified. Has the writer missed opportunities to explore this theme? Is there more happening in our culture that is relevant and might strengthen the work?
Looking forward to, hopefully, some helpful back and forth, as we explore this new model of story breaking.
Best,
Thomas Dean Donnelly





