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Touching Blue seems fitting for the movie and is catchy.
Overall Recommendation:
Los Angeles
March 21, 2013
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people found the following review helpful:
Title could be improved
Overall Recommendation:
Oklahoma city
March 21, 2013
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I believe the WOW factor at the very beginning could be heightened-the touch.
Overall Recommendation:
0
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Very, very good!
Overall Recommendation:
S. Louis, Mo
March 16, 2013
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Sequel, Anyone?
Overall Recommendation:
Norman, OK
March 16, 2013
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Nothing but "Wow"
Overall Recommendation:
Stillwater
February 25, 2013
0
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Captured
Overall Recommendation:
0
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I'd watch it.
Overall Recommendation:
Grand Rapids, Michigan
January 03, 2013
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Intriguing movie
Overall Recommendation:
Fremont County
December 30, 2012
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I Enjoyed It!
Overall Recommendation:
Touching Blue has a real potential for becoming an interesting genre movie after some SERIOUS REWRITES. As it is I found little to no suspense or interest in any of the characters and mostly felt like I was being manipulated and told the story to as opposed to shown the movie.
Show, don’t tell, as the saying goes in screenwriting.
Every time we write a character with an affliction, writers inadvertently box themselves and limit their character’s potential, movement, and development. Blue has a psychic ability and an affliction, we empathize with her and we can even feel sorry for her, but we can’t do anything about it, here I felt like as if I was being given two choices; either feel sorry for Blue, or feel guilty for not caring, both are manipulative. What’s worse is that no one, including Blue for most parts, can do anything for her other than just to watch her suffer for almost 135 minutes. It gets exhausting.
Blue’s flashback and telling us about her early life is boring and unnecessary. If you want to give exposition give it through conflict and bury them in active forward moving scenes not in a, day in the life of a screamer, prolonged scenes and we will be surprised to learn more about her as we go along.
Aside from her condition, Blue is never really in any danger. She’s constantly surrounded by mostly protective FBI people and she is being taken to far away places repeatedly. She should be in clear danger from the minute we start the movie that way we’ll be awake and watching (more later).
The first twenty five minutes of the movie could be edited and compacted in the first three minutes of the movie. By minute 25 we’ve already spent hundreds of thousand, surely more, dollars in production cost and accomplished not so much. The first chase scene is not related to anything really and seems to be just there to TELL us about the character. It would be better to relate that to Blue on the run from the killer/s or at least have her be looking for the killer/s. We cannot take a, scenic route; Oh, and then this happened, Oh, and she said this…etc., in explaining a movie if we want to create suspense.
For example; In the very first scene, If we want to establish Blue’s touching condition we could have her and her FBI people run after the suspect and have Blue catch the suspect or someone related to the suspect (masked and unseen person) and then she can’t hold on to him because of her condition. Blue is hurting and lets the suspect go. Now we know who Blue is, what she’s trying to do, and what her challenges are. We are automatically on her side and want her to succeed. This one scene is a type of a running start that would get viewer’s attention to hang with because there’ll be more folks.
Some of the dialogue is a bit too forced: “She’s good people…Don’t trust Graham,” trying too hard to create some suspense by telling us about potential suspense or threats upcoming, as opposed to showing the action. Blue:” Have you seen my future tell me.” Graham to Blue:”…You owe me.”
By minute 31 there was still no real threat or a killer connection to Blue, other than that she’s there to touch stuff, and there has been NO threat to her life by the killer/s. Again if she’s the protag she should be the main target of the killer. We learn that there are other screamers like her so what’s so special about Blue that she gets this gig and not others? It has to be made clear to us. Blue should be the only one that knows how to find the killer/s and she is the only person that is going to find the killer/s out. Blue should be in constant danger from the start as the killer is after her and she should be pretty much in the same area or arena with the killer/s to create constant tension for us to stay really involved. Perhaps you could tighten the scenes maybe have some of her FBI escorts get killed. Bring the danger to Blue.
The opponent/killer is missing for most of the movie, which makes it boring as all those killed are new people to us and we only learn of their past connection to Blue after the fact. No one on the screen is in any danger for most of the movie, how is it possible to create any suspense? As it is the movie is just going through the paces like a snooze-fest of a procedural on network TV.
Taylor and Blue romance is a nice touch, thankfully.
The resolution scene is just a bit too convoluted. The last act could be more suspenseful, Sandra’s reason for doing what she did is a bit over the top, but whatever. Decide on one really bad badass opponent and let us see her/him get hers or his. All this she did it, no he did it, but we both kinda did it, dissipates the potential suspense and takes away from any of our potential release at the end. It just seems that here the writer is trying to jam all the missing suspense of the first 125 minutes into the last ten minutes.
Then, after all that, we find out that screamers can lose their powers if they want to? WHAT? Are you kidding me? Here the writer is probably thinking, “oh crap it’s the end of the movie and I gotta deliver a happy ending.” It is as if though we’re saying, Oh, we lied, to the viewer. It takes away from the credibility of anything we’ve setup before. I would seriously suggest taking that part out or modifying it, for one thing, you may want to leave room for a sequel and have Blue team up with Taylor and form a crime fighting duo.
As for the production: Nice suspenseful music early on, keep that for sure. Also, The animation was really nice and effective.
Overall, Blue needs to be more actively involved throughout the movie and not just to usher us into crime scenes, scream and touch things. Develop her character fully, she needs to have a moral need and a real burning desire for something to go on, looking for her longtime missing mother, while worthwhile, is not urgent enough and doesn’t motivate the viewer to stay interested.
I look forward to your possible rewrites.
Best,
Thom