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The plot highlights the demands post-tragedy, through a couple's diversionary process when the focus is taken from positively reinforcing the healing process to finding temporary mends. As the story starts out, the male subverts his counterpart by announcing his desires for her to sleep with another man in false hopes of fortifying their relationship.

He get's his wish. At the closing of the tryst, the moneyshot covering her body is one of blood.

This isn't Twilight, folks.

Let me not illustrate the wrong impression, this script is not vile by any means. The deviant sexual exploration is but a facet of the complexities you will face in LTCA. The writer instead guides you through a process akin to that of Lars Von Trier, allowing you, the reader, an opportunity to explore the self-induced depravity resulting from tangible human emotions.

Resolution comes at a price, even for the altruistic side-characters in this script.

How to describe this film... hmm....

1/3 ounce John Waters , I spritz of Let the Right One In, a dash of Dark Knight, add some Antichrist extract and mix half-and-half with Annie Hall. Add it in 8oz V8, Tabasco sauce, Worcestershire sauce, 2 olives and 1 stalk of celery. Enjoy the ride.

So, this isn't the kind of stuff I normally read nor like, but I decided to give it a try. Reading it alone at night was a huge mistake. IT FREAKED ME OUT. It's in the vein of Rosemary's Baby, AntiChrist or The Exorcist, to be sure. The best compliment I can think to make is I really wish I hadn't read it. Jeff, please don't make me read another draft - I write comedies dude, my nerves can't take it.

Good work and good luck.