More About Me
Went to Cal Arts to study Animation (Film-graphics w/Jules Engle) back when MACs were still B&W. So I got into Live Action; worked for Roger Corman; did a bunch of low-budget films. Got away from the insane hours of working in the Art Department to work as a Location Scout & Site Rep; which has given me time to write on my laptop while I baby-sit Film Crews shooting on Location. I've worked on well over 60 feature films, dozens of TV shows & over 800 TV commercials in the LA area. Done just about everything in Live Action, except Make-up & Hair. Other than that, you name it, I've done it. Over the years I've worked on some really dreadful films (many not on IMDb) and also some huge projects like "Mr. & Mrs. Smith"; "Fun with Dick & Jane" and "XXX-2". Stopped keeping a resume after working on the underwater FX unit on "The Abyss". Sometimes the low budget films got pretty weird. Once "wrangled" over 10,000 cockroaches (three ice chests overflowing with them) for Roger Corman's horror schlock-fest, "The Nest"...... I'd say that pretty much sums up my dedication to the "Art" of Film making.
It takes a certain type of personality to succeed in Hollywood; whether as an Actor or in any of the "below the line" capacities as a Crew Member working in Produciton... very few make it
The old joke is... Bob: "So, what do you do?" Tom: "I'm an Actor." Bob: "Oh really? What restaurant do you work at?"
With multiple tens of thousands of "wanna-be" ____________ (Fill in the Blank) coming to LA every year after year; all of them armed with their diplomas & degrees from Film Schools & Junior Colleges from Alaska to Florida... LA is now overflowing with countless young people desperately seeking an opportunity to get a job (any job) in production... BUT with such a staggering number of people here that have ZERO production experience, it has created a unique situation like never before...
Today many Producers (non-union) are exploiting this situation by using Interns... Meaning, taking in someone with little or NO experience and having them do "jobs" & non-film related task for NO pay in exchange for the "experience" that they can add to their resume.
But the caveat/catalyst for this kind of work is the willingness of the Intern/PA to swallow their Pride... and accept the fact that in spite of posting a dozen YouTubes; watching countless B&W films on TCM or starring in a production of South Pacific in their Jr College back home... they really haven't got a clue about what's involved in making a Film; TV Show or a Commercial.
Wanna-be Actors have the possibility of getting some "face time" on screen by working as an Extra... those non-descript people that populate the out-of-focus backgrounds in Film, TV & Commercials.
But it's not so easy for the tens of thousands of wanna-be Writers... and even far more difficult for the wanna-be "multi-hyphenate" (Writer-Director).
First off... The ladder for a Writer requires a ruthless dedication to reading & studying Scripts; No, I did not say studying Films... But Scripts... the carefully crafted Blueprint that outlines the making of a Film. Anyone serious about becoming a screenwriter had better start reading every script they can get their hands on to see & learn how it's done.... Because...
In the Disipline of the Writer's Craft... it is ESSENTIAL to Learn certain traditional and correct Formatting Rules that separate all the Amateurs & Dilitants from those who know... otherwise, the "less than Pro" Spec Script ends up in the Circular File (meaning the trash can).
Big Dreams & Blind Ambition alone will get the wanna-be (multi-hyphenate) nowhere... And Talent will not always open doors either. More often than not, Luck AND being in the right place at the right time are the keys to success.
"Lybarger Street" is clearly the first draft of a story by someone who really wants to write; but has not yet learned the professional techniques of this disciplined craft.
Scene numbers on a Spec script scream Amatuer (they're ONLY used on Shooting Scripts; once a Script has been broken down by the 1st AD (First Assistant Director) and PM (Production Manager).
And Scripts are NOT short stories punctuated by indented Charater & Dialogue slugs; nor have descriptions of things or information that can not be seen by or shown to the Audience.
In its present format, Lysbarger Street may have a good story buried in there somewhere... but until the Author makes the effort to read & study a bunch of Scripts & reads some books on Screenwriting... no matter how many dozen copies are sent out, this will only collect pink rejection slips until it is thoroughly reworked, edited & rewritten in the proper professional format.
Good Luck Cristine, and I really mean it... But consider this... If you can't take or accept constructive (meaning helpful) criticism or sound advice without taking it personally, you're going to be in for a very rude awakening...